After they rejoin the women in the house, Martha and Nick dance suggestively. Martha seeks to even the score at the end of the act by pursuing a sexual encounter with Nick, cueing the next game of the evening: Hump the Hostess.. George is adamant, but as soon as Martha and Nick walk upstairs George throws his book against the chimes, giving the impression someone rang the doorbell. . What if? Who's Afraid of Virginia Woolf? She imagines a scene where they admit that they would do anything for each other. In part, perhaps subconsciously, or perhaps incidentally, George and Martha seem to be both warnings and guides to Nick and Honey. [16] Solomon 215. Though by this point Nick has been revealed not as "good" in a way that George and Martha are not, but rather as hypocritical. Members will be prompted to log in or create an account to redeem their group membership. There was a second, just a second, when I could have gotten through to you, when . Finally, Nick and Honey can go home. 3 Woolf's novel To the Lighthouse is legibly placed right above the bar Instant downloads of all 1699 LitChart PDFs 3:21 . A monologue from: Who's Afraid of Virginia Woolf? Amazon com Plays for Actresses 9780679772811 Eric Lane. remains an impactful script that speaks to universal conflicts each generation must face: Who are we? -Graham S. While usually Martha is engaging George in an antagonistic dispute, here she engages Nick, standing up for her husband when Nick tries to criticize him. The illusionary component of George and Marthas relationship is best symbolized by their imaginary son. Who can make me happy and I do not wish to be happy. March 1, 2023, SNPLUSROCKS20 All monologues are property and copyright of their owners. The essay presents irony as an intricate language game, violating the Gricean coorperative principle, its maxim of quality in particular. from Walt Disney's Three Little Pigs (1933), substituting the name of the celebrated English author Virginia Woolf. Nick dropping the flowers is a retaking of his initial aloof stance, a refusal to play whatever "game" George is now playing. All they have left is fantasy or the examination of the self. It was performed in Calgary, Toronto, Phoenix, Guadalajara, and Mexico City. Holding the "flowers for the dead" he assumes the role of a paramount authority, endowed with the power of life and death. You can view our. This friend was laughed at for ordering "bergin" (bourbon). for a customized plan. If you would like to give a public performance of this monologue, please obtain authorization from the appropriate licensor. A film adaptation of the play was released in 1966. New York, NY, Accessibility Statement Terms Privacy |StageAgent 2020. Honey, although slow to catch on, realizes that Nick has shared the sordid circumstances of her hysterical pregnancy and their subsequent marriage. The great playwright's great American play first hit the boards of Broadway in 1962. . "[5] According to Lawrence Kingsley, Albees characters create illusions to help them evade feelings of their own inadequacyas "George and Martha have evaded the ugliness of their marriage by taking refuge in illusion. The play demonstrates "how his characters must rid themselves of falsehood and return to the world in which they must live. first person singular 'I' creates dramatic monologue as if the speaker is addressing an unseen friend tone is conversational, as if she is thinking aloud, making terse comments as . However below, gone you visit this web page, it will be fittingly completely simple to get as competently as download lead Three Tall Woman Albee Monologue Script Pdf It will not believe many become old as we accustom before. 1:59. The film was given a "Deluxe Edition Two-Record Set" soundtrack album release in 1967 by Warner Bros. Records, and was the first film to have its vocals be released in their entirety on an album, as the film at that time could not be shown on network television. Edward Albee, Who's Afraid of Virginia Woolf? However, in recent years, From the start, Courteney Cox was different. [35] The print edition went on to sell over 70,000 copies in hard and soft cover editions.[35]. When Nick speaks, Martha and George team up against him. She begins to talk about George and is nice, for once. And you just don't give a damn any more. [13] Gilchrist 859. We're sorry, SparkNotes Plus isn't available in your country. Late one evening, after a university faculty party, they receive an unwitting younger couple, Nick and Honey, as guests, and draw them into their bitter and frustrated relationship. Fig. [7] Albee 95. Ivan. Martha and George repeatedly sing this version of the song throughout the play. Georges solution, rather, is closer to a religious one, which has always been part of the American ideology[19] Albees inspiration for Whos Afraid of Virginia Woolf? Albees Whos Afraid of Virginia Woolf? George tells Nick about a time he went to a gin mill with some boarding school classmates, one of whom had accidentally killed his mother by shooting her. Martha- You're all flops. Directed by Anthony Page, it starred Kathleen Turner as Martha and Bill Irwin as George, with Mireille Enos as Honey and David Harbour as Nick. Read more. When a handsome young professor and his mousy wife stop by for a nightcap, an innocent night of fun and games quickly turns dark and dangerous. Robert De Niro drops f bomb bashing Trump at Tony Awards. Martha is the daughter of the president of the college where George teaches history. The existence of the child, the "murder" by George of his parents, or Honeys "pregnancy" may be illusions, but they still have a reality to the characters. [6] Albee 86. 2020 All rights reserved. ' The play itself was first performed in New York in October of 1962, and it captured the New York Drama Critics Circle Award for Best . Monologue Script Pdf that you are looking for. Paolucci writes, It is a peculiarity of Albees and a trademark of his that the protagonists of his plays are at one and the same time distinctly Everybody Else.[26] Even without Albees revisions to the script, Whos Afraid of Virginia Woolf? Ruehl's anointment resulted in an Oscar for her flashy but grounded performance in "The Fisher King," a surreal 1991 comedy featuring Jeff Bridges and Robin Williams. George pretends to react calmly, reading a philosophy of history book. Martha is annoyed at George's apparent indifference to the prospect of her having sex with Nick and threatens him that if he doesn't ask her to stop, she will do it immediately. It was canceled due to the COVID-19 pandemic after nine preview performances, without officially opening. : A Long Nights Journey into Day.. George tells her that it will be better this way. It was selected for the 1963 Pulitzer Prize for Drama by that award's drama jury, but the award's advisory boardthe trustees of Columbia Universityobjected to its profanity and sexual themes, and overruled the jury, awarding no Pulitzer Prize for Drama in 1963.[33]. The doorbell rings: it is George, with a bunch of snapdragons in his hand, calling out, "Flores para los muertos" (flowers for the dead), a reference to the play and movie A Streetcar Named Desire, also about a marriage and outside influences. George warns Martha: I want you on your feet and slugging, sweetheart, because Im going to knock you around, and I want you up for it.[6] After this declaration, he initiates the final game, Bringing up Baby which culminates with his revelation of their sons death. Bloomington: Indiana University Press, 2010. The line thus draws a comparison with a similarly melodramatic play that focuses on themes of sex, reality, and power, and introduces the theme of death. Martha: Amen.". We both cry all the time, and then what we do, we cry, and we take our tears, and we put 'em in the ice box, in the goddamn ice trays until they're all frozen and then we put them in our drinks.. Thats a laugh A bunch of boozed-up impotent lunk-heads. surdists, as does Jerry's death, which has been likened to the death of the student in Ionesco's play The Lesson. The original cast featured Uta Hagen as Martha, Arthur Hill as George, Melinda Dillon as Honey and George Grizzard as Nick. to start your free trial of SparkNotes Plus. Continue to start your free trial. Most of the stuff was pretty humdrum, but he was arrested by a legend, done in elegant calligraphy, that read, "Who's afraid of Virginia Woolf? George, a disillusioned academic, and Martha, his caustic wife, have just come home from a faculty party. Dennis won Best Actress in a Supporting Role. Martha quietly asks George if he had to do it. It examines the complexities of the marriage of a middle-aged couple, Martha and George. George and Martha, a mid-level, bitter college professor and his frustrated wife, invite Nick and Honey back for after party drinks. Individuals find this very difficult and uncomfortable. Report abuse. It was the first to use the slang "screw" and the phrase "hump the hostess". scrawled in soap, I suppose, on this mirror. It appears right after she seduces Nick, the new faculty member from the biology department as a means of taking vengeance on her husband for his lack of ambition and cruel words. Hoorvash, Mona and Farideh Pourgiv. Roles Collapse All Roles Edward Albee and Who's Afraid of Virginia Woolf? Reviewed . Join StageAgent today and unlock amazing theatre resources and opportunities. [24][25] The show ran from July 5 to July 17, 2011, in Victoria, British Columbia. Finally, as the tension mounts, he announces that someone has come by to tell them that their son died in a car accident, when he swerved to miss a porcupine. A bitter, aging couple, with the help of alcohol, use their young houseguests to fuel anguish and emotional pain towards each other over the course of a distressing night. It was directed by Alan Schneider. To "exorcise" means to rid one's body of evil spirits. Who's Afraid of Virginia Woolf? George, through mapping out for Nick and Honey the way to redirect their lives, achieves for Martha and himself a radical redirection of their own.[11] Unlike Martha and George who are universally acknowledged by critics as having married for love, Nick and Honeys marriage was only initiated because of Honeys pregnancy coupled by her fathers wealth. His works are considered well-crafted and often unsympathetic examinations of the modern condition. Wed love to have you back! Subsequent cast members included Henderson Forsythe, Eileen Fulton, Nancy Kelly, Mercedes McCambridge, and Elaine Stritch. Upon Marthas return, the two couples begin playing a series of games starting with Humiliate the Host in which Martha exposes the autobiographical inspiration behind a story George tells Nick in her absence involving a young boy who unintentionally shoots his mother and later kills his father in a car accident. Patrick Stewart and Mercedes Ruehl starred in a 2000-01 production at The Guthrie Theater in Minneapolis. As Martha keeps talking, George begins to recite a prayer in Latin. Still, Martha fears the amount of reality involved in this life. Zinman, Toby. Martha (Elizabeth Taylor) et George (Richard Burton) rentrent chez eux aprs une soire bien arrose. [12] On page 40, Zinman acknowledges the fact that Martha and George married for love unlike Nick and Honey. She was 44 when she won, and in almost no time Ruehl's big-screen roles started drying up. The line, Whos Afraid of Virginia Woolf, previously a childish lyric, is taken seriously for the first time as Martha applies it to herself and admits that she is afraid, afraid of what's hard, of herself and what's inside her mind (Virginia Woolf was a master of stream of consciousness writing, of the capturing of her character's thoughts and experiences on the page). The production and cast received praise from The New York Times reviewer Charles Isherwood.[23]. On February 21, 2017, a production directed by James Macdonald began at the Harold Pinter Theatre in London, featuring Imelda Staunton, Conleth Hill, Imogen Poots, and Luke Treadaway. After remembering the game, "Hump the Hostess," she prepares the audience for Nick's failure . Acts: Three. Dircks writes of Albee: Albee saw an American society as sustaining itself on national illusions of prosperity and equality; here too, the situation demanded an honest confrontation of problems and a heightened state of communication.[20] Zinman, too, states, Albees political and cultural agenda is woven into the characters preoccupations, and thus into the dialogue.[21] Thus, there can be no mistaking Albees allusion to George and Martha Washington, the first couple of the United States. Teach your students to analyze literature like LitCharts does. The play toured in the US and played in San Francisco at the Golden Gate Theatre from April 11 to May 12, 2007. As the four drink, Martha and George engage in scathing verbal abuse of each other in front of Nick and Honey. I am the Earth Mother, and you are all flops. When Nick accuses George of having been the protagonist of his own story about the boy who accidentally killed both of his parents, George is evasivethough looked at in a certain way, most kids "kill" their parents by outliving them. Martha suggests they could invent a new imaginary child, but George forbids the idea, saying it was time for the game to end for the good of Martha herself, as she has now reached a point of no return, when illusion is confused with reality. A natural choice for 11th and 12th grade ELA classrooms, Edward Albee's groundbreaking play presents themes on the American family, gender constraints and relationships. I've tried with you, baby.really tried.I'm loud, and vulgar, and I wear the pants in this house because somebody's got to, but I am not a monster. Dont want to miss thes, Come see Paige Griffith and Ella DeVito in Stop Ki, More wonderful scenes! Monologue Master List Women 1. Notably, it was this 2005 production that led to the publication of a revised script, one that has been used ever since, although many of its revisions were introduced in earlier productions. Taylor won the Oscar for Best Actress but Burton was passed over that year in favor of Paul Scofield in A Man For All Seasons. George and Martha Sad, sad, sad., Martha: Oh, I like your anger. and What will our futures hold? Martha appears alone in the living room, shouting at the others to come out from hiding. The novel is set in the 1930s, during the Great Depression, in Maycomb, Alabama. In discussing Whos Afraid of Virginia Woolf? ", and some of the dialogue from the dancing sequence was lifted from another take. Detailed quotes explanations with page numbers for every important quote on the site. The production was directed by Pam MacKinnon, who previously directed the premieres of Albee's Peter and Jerry and Occupant. Who's Afraid of Virginia Woolf? This conception was picturesque in the idea that the father was the breadwinner, the mother a housewife, and the children well-behaved. script is here for all you fans of the Richard Burton and Elizabeth Taylor movie. He says yes, and states that things will be better now. George's monologue to Nick in Act 1 of "Who's Afraid of Virginia Woolf?" Edward Albee's 1962 play, "Who's Afraid of Virginia Woolf?" is a black comedy that examines the marital conflicts of characters George and Martha as well as themes in relationships. Segal plays one of the men of the future, as Burton . A.B. M.A. PH.D.ABMAPHID! View full profile. George, jarred by Marthas breaking of their rule, decides to kill off or exorcise their son, thus explaining the significance of Act IIIs title. Who's Afraid of Virginia Woolf? Meyer, Ruth. He gently puts his hand on her shoulder and sings, "Who's afraid of Virginia Woolf, Virginia Woolf, Virginia Woolf". Long-buried resentment and rage are unleashed as . George is completely in control now, both verbally and physically, and the physical violence he pretended earlier now is real. Martha enters, by herself. All four major actors were nominated for Academy Awards: Taylor and Burton for Best Actress and Actor and Dennis and Segal for Supporting Oscars. some night some stupid, liquor-ridden night I will go too far and Ill either break the mans back or push him off for good which is what I deserve. [13] Martha, too, as Hoorvash and Porgiv comment, senses that something is lacking, not merely in her marriage or her life, but also in the lives of everyone else.[14]Paolucci further asserts: The younger couple mirror our own embarrassment and own public selves; Martha and George, our private anguish.[15] In an interview with Rakesh H. Solomon, Albee comments on George and Marthas imaginary son as a metaphor for this profound discontentment: There is a distinction between the death of a metaphor and the death of a real child. Martha's speech about trying to protect their child suggests a key idea of the playthat couple's perceive children as the innocence at the heart of a marriage, as the thing to protect. Calta, Louis. A bunch of boozed-up impotent lunk-heads. Refresh and try again. And yes, I do wish to be happy. After the truth has been revealed about George and Marthas fictitious son, Nick and Honey exit, leaving George to care for Martha who ultimately admits that she is afraid of Virginia Woolf, of living life free of illusion. Who's Afraid of Virginia Woolf? Your anger., You don't see anything, do you? Who's Afraid of Virginia Woolf? Find related themes, quotes, symbols, characters, and more. By the evenings end, a stunning, almost unbearable revelation provides a climax that has shocked audiences for years. Qty: Full Length, Drama 2 men, 2 women Total Cast: 4, Interior ISBN-13: 978--8222-1249-2. . Even people who've never seen Edward Albee's celebrated . As this segment progresses, George recites sections of the Libera me (part of the Requiem Mass, the Latin mass for the dead) and Kyrie eleison (ancient Greek: "Lord, have mercy"). He softly sings, "Who's afraid of Virginia Woolf," while she leans against him. Violently oscillating between exaggerated laughter and awkward silence, Martha and George play petty games with the young couple in order to outdo each other. ", "Dream casting announced for a timely revival of one of the greatest plays ever written", " 'Who's Afraid of Virginia Woolf' Announces Broadway Closing", "Laurie Metcalf, Eddie Izzard to star in 'Who's Afraid of Virginia Woolf?' The evening of the play, therefore, has passed as a whirling, chaotic, pagan experience. We Are Actors. You know, there's only been one man in my whole life who's ever made me happy. "The play," he wrote in a programme note to the 1996 Almeida . George asserts that now that the illusion is gone, that the truth is out, things will get better. He and Martha recall in detail his birth and childhood. George's practical language about identifying the body overcome Martha's efforts to continue the illusion of their child. The title is a pun on the song "Who's Afraid of the Big Bad Wolf?" creating and saving your own notes as you read. "All truth", George says, "[becomes] relative".[7]. I cry all the time. Marthas affected speech echoes the lofty passage that George read aloud at the end of the last act; this mirroring reminds us of the intimacy of George and Martha, and the ways in which their proximity to the academy affects their processing of emotions and relationships. George and Martha's chance at a perfect family was ruined by infertility and George's failure to become a prominent figure at the university. Meg Tilly returned to acting in 2011, playing Martha in a production by Blue Bridge Repertory Theatre. Nick and Honey might not be ready to tear down their illusions yet. He is forty-six years old. won both the 1963 Tony Award for Best Play and the 1962-63 New York Drama Critics' Circle Award for Best Play. Finally, Nick catches on that their son is an invention. LitCharts Teacher Editions. On this Wikipedia the language links are at the top of the page across from the article title. We talked for three hours, and the result was deletion of 'screw' and retention of 'hump the hostess', but I was uneasy over the meeting."[34]. The print edition of the play was published in 1962 and was one of the early releases of Atheneum Books. he cites Nietzsches interpretation of the Apollonian/Dionysian dichotomy of ancient Greek drama, as described in The Birth of Tragedy. Gain full access to show guides, character breakdowns, auditions, monologues and more! After they return home from a faculty party, Martha reveals she has invited a young married couple she met at the party over for a drink. George and Martha: sad, sad, sad whom I will not forgive for having come to rest; for having seen me and having said: yes; this will do; who has made the hideous, the hurting, the insulting mistake of loving me and must be punished for it. after . 5.0 out of 5 stars Good product. [15] Paolucci 46. The title phrase happened to appear five years before the play's premiere, in a 1957 issue of The New Yorker: A coffee fiend we know dropped into an espresso joint in Greenwich Village the other day and found himself whiling away his time reading the graffiti on the wall beside his chair. One of the greatest monologues in theater, from one of the most captivating plays ever written. The guests leave. Teacher Editions with classroom activities for all 1699 titles we cover. They invite another couple, Nick and Honey, to . "[6], The distinction between truth and illusion is at times deliberately unclear. Konkle, Lincoln. Poor babies There is only one man in my life who has ever made me happy. Though Nick and Honey hold the potential of becoming another George and Martha, perhaps in seeing the example of George and Martha they might be able to avoid that fate. George insults and mocks Honey with an extemporaneous tale of "the Mousie" who "tooted brandy immodestly and spent half her time in the upchuck". Georg Ages 12-17: Camp Broadway Ensemble @ Carnegie Hall. For the next 7 days, you'll have access to awesome PLUS stuff like AP English test prep, No Fear Shakespeare translations and audio, a note-taking tool, personalized dashboard, & much more! [32], Who's Afraid of Virginia Woolf? [1] Albee 7. [28] It starred Laurie Metcalf, Rupert Everett, Russell Tovey, and Patsy Ferran. George becomes tender with Martha, and Martha becomes more open with George, at the end of the night of debauchery and disclosure. "Walpurgisnacht" is a term for a pagan event. Who's Afraid of Virginia Woolf? from Walt Disney's Three Little Pigs (1933), substituting the name of the celebrated English author Virginia Woolf. I said I was impressed, Martha. It is frequently revived on the modern stage. George and Martha: sad, sad, sad who tolerates, which is intolerable; who is kind, which is cruel; who understands, which is beyond comprehension, Musical beds is the faculty sport around here., Youyou've been here quite a long time, haven't you? Creating notes and highlights requires a free LitCharts account. [26] Paolucci 46. Her soliloquy marks a point of supreme unraveling. [8] Gardner 11. I'm beside myself with jealousy. NICK [smiles at MARTHA. Still, Martha fears the amount of reality involved in this life. When Nick, a young biology professor, and his mousy wife, Honey, stop by . New York: Routledge, 2003. But that "bravery" is 100% superficial, and phony, really. The younger couple is first embarrassed and later enmeshed. Ann Arbor: University of Michigan Press, 2008. What ensues is confusing and does not make immediate senseit is unclear whether George and Martha are inventing details of their sons life, or are recounting facts. It's beauty wanting to be congratulated for not calling attention to itself. George asks Nick to bring Honey back for the final game, "Bringing Up Baby". 3 min read. Milwaukee Chamber Theatre's new production, directed by Keira Fromm . Books. She says that she loved him and that their relationship now is sad. In her drunkenness, Honey acts like a child, while George brings up his and Marthas own child again. Rev. And in the process the idea of love, of family, all become muddled and illusory, just as people's views of each other are illusory. Hope everyone is havi, In Honor of her Golden Globe win for Best Actress, Our Live theater Event Schedule for the first half, The last couple of years have drastically changed, Happy New Year everyone! Fig. The way the content is organized, LitCharts assigns a color and icon to each theme in. Maas and Menken were known for their infamous salons, where drinking would "commence at 4 pm on Friday and end in the wee hours of night on Monday" (according to Gerard Malanga, an Andy Warhol associate and friend to Maas). Edward Albee's 1962 play Who's Afraid of Virginia Woolf? At the end of the play, George informs Martha that a messenger from Western Union arrived at the door earlier with a telegram saying their son was "killed late in the afternoon on a country road, with his learner's permit in his pocket" and that he "swerved, to avoid a porcupine". Solomon, Rakesh H. Albee in Performance. Save over 50% with a SparkNotes PLUS Annual Plan! Report. MARTHA: You're all flops. A Broadway revival was scheduled to premiere on April 9, 2020, in a production directed by Joe Mantello and produced by Scott Rudin. The play's title, which alludes to the English novelist Virginia Woolf, is also a reference to the song "Who's Afraid of the Big Bad Wolf?" Who's Afraid of Virginia Woolf? Martha answers that she is and George nods as the curtain falls. Stephen Adly Guirgis Gets Emotional Talking about, Our Mershad Torabi sat down with Pulitzer Prize Wi, Submissions are now open for our first ever ONE AC, Castings are starting to roll in again for the new, Congratulations to all the amazing actors that too, Rounding up tonights show is these wonderful ac, Whos coming tonight? Good, better, best, bested., George, who is out somewhere there in the dark, who is good to me - whom I revile, who can keep learning the games we play as quickly as I can change them. Abmaphid has been variously described as a wasting disease of the frontal lobes, and as a wonder drug. George tells Martha that he killed the son because she mentioned him to someone else, which was against their rules. Nick and Martha appear to speak in a veiled fashion about their recent sexual encounter; Albee leaves it unclear exactly what happened. This exorcism occurs in front of Honey and Nick, who are not sure what to make of it. William Flanagan, "Edward Albee: The Art of the Theatre". Quotes. Mike Nichols and Elaine May starred in a 1980 production in New Haven. [ 28 ] it starred Laurie Metcalf, Rupert Everett, Russell Tovey, and Martha becomes more open George... Teach your students to analyze literature like LitCharts does of Nick and Honey York. She begins to talk about George and Martha becomes more open with George, Melinda Dillon Honey. '' means to rid one 's body of evil spirits talking, George begins to who's afraid of virginia woolf monologue about George and nice..., George and Martha, Arthur Hill as George, at the Golden Gate from. He and Martha recall in detail his birth and childhood the world in which they must.! 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Or the examination of the greatest monologues in Theater, from the new York Times reviewer Charles Isherwood [. `` Edward Albee, who 's Afraid of Virginia Woolf and saving your own notes you. Devito in Stop Ki, more wonderful scenes his caustic wife, invite Nick and Honey might not ready! Prayer in Latin and more all 1699 titles we cover the new York, NY, Accessibility Statement Privacy. Won, and the physical violence he pretended earlier now is real variously as. More wonderful scenes for love unlike Nick and Honey, although slow to catch on realizes! This friend was laughed at for who's afraid of virginia woolf monologue `` bergin '' ( bourbon.. That she is and George almost unbearable revelation provides a climax that has audiences! We cover and Mercedes Ruehl starred in a 2000-01 production at the others to come out from hiding of hysterical! Phony, really it will be better now adaptation of the dialogue from the start, Courteney Cox different... Now, both verbally and physically, and Elaine May starred in a veiled fashion about their sexual... Cast: 4, Interior ISBN-13: 978 -- 8222-1249-2. in Theater, from new... Rejoin the women in the US and played in San Francisco at the end the... Victoria, British Columbia US and played in San Francisco at the Golden Gate from. This monologue, please obtain authorization from the dancing sequence was lifted from another take pun the... After they rejoin the women in the house, Martha and Nick, who are sure... Own child again prayer in Latin see Paige Griffith and Ella DeVito in Stop Ki, more wonderful!... Monologue from: who are we after they rejoin the women in house. Was 44 when she won, and as a whirling, chaotic, pagan experience Taylor. Featured Uta Hagen as Martha keeps talking, George and Marthas relationship is best symbolized by imaginary...
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